The main thing is to be able to draw a volume envelope over the whole waveform. Rather than botch a fade 20 times on a n analog mixer, simply draw in the perfect fade with the mouse. Where the piece loses intensity, notch it up a tad, to restore your intended dynamism to your m ix. Say you have the perfect mix except for one horrible "sp-p-p-lat" where yo ur sequencer choked at bar No prob.
Just remix the offending bar again, cut out that piece in Vegas and drop in the new one and let the automatic crossfadi ng give you the absolutely perfect, digitally calculated crossfaded splice. Wor ks! Need to touch up the EQ and do your compression in software?
Tweak it in. I t's all undoable, so your not going to ruin anything. Decided the mix you did l ast year really sux? You need to cut out a chorus or fade 5 seconds earlier?
Say you did a trance piece but the kick is so wimp that it makes you cringe? Just drag in a looped kik and paint it on the next track, setting the volume and compression to make the whole song whupass. In fact, I like it better for post pro than as a multi track. Summing Up: Whether you are writing industrial hardcore or the darkest ambient, a piece orchestra or a stark minimalist a capella mix, always keep your ears tuned to ma king an artistic statement, a work of unforgettable beauty.
This is the bottom line. The more control your Mixer gives you, the better you can paint the over all image. Working with compressors and mastering processors gives you a shot a polishing that image much like we polish a stone to bring out its colors. Hope this article helped you get a handle on the concepts of the perfect Mix, master ing and post-production All the Best!
Rich the TweakMeister. Open navigation menu. Close suggestions Search Search. User Settings. Skip carousel. Carousel Previous. Carousel Next. What is Scribd? The Perfect Mix by Rich. Uploaded by caramit. Did you find this document useful? Is this content inappropriate?
Report this Document. Flag for inappropriate content. Download now. Related titles. Carousel Previous Carousel Next. Jump to Page. Search inside document. Give me a shout if you have this and we'll do a deal of some sort! Me too. I just got a e4xt ultra and this clearly is the first sound cd I am seeking for it. I'd love to track it down. Any help appreciated. Top Mentioned Manufacturers.
Facebook Twitter Reddit LinkedIn. You don't want your mix compromised by that awful crackle at the peak of your song. Now you fine tune to taste. Listen for the quality to "lock". A great mix of a great song will fill you with absolute elation. You'll be blown away and in awe.
You will feel in love with it. No kidding. Might sound corny to the less mature among us, but I assure you its true. A great artist friend of mine puts it this way. Greatness in art depends solely on how much love you put in to a work.
You put it in, it pays you back, your friends back, and everyone who listens. Moral of this lesson.
Never take mixing and mastering lightly. The tiniest fader movements make a difference. Be exacting! The Mix is a Dynamic, Moving Process. Don't just sit there while your mix goes to tape, or disc, or DAT. If you are using a board, assign the faders to subgroups. For example, if you have 4 subgroups you might want to send your vocal tracks to groups 1 and 2 and everything else to 3 and 4.
This way you can slightly alter the balance between the vocalists and the band as the piece goes to tape. This technique, while tricky, can yield outstanding results. You can give the vocalist a touch more edge just when they need that ooomph and when the vocalist takes a break you can subtly boost the band a bit.
If you have 8 busses you might dedicate 5 and 6 just to drums and 7 and 8 just to effects, nudging each as is appropriate. The Role of Compression at Mixdown. The Gate simply cuts out any audio below a certain threshold so that any hiss or noise coming from your synths or mixer is eliminated before the music starts. The limiter keeps your peaks under a certain fixed level and will not let them go higher. A Compressor is a volume slope applied to the audio material goin through it.
It can amplify the "valleys" and attenuate the "peaks". Essentially compression reduces the dynamic range we have just struggle to achieve in our mix. Get the most inspiring sounds for your productions. Please visit our site to hear the latest loops and samples created by our top award winning artitst and producers. Free samples. No free samples here, just catalog info. We offer tons of soundloops and audiosamples for free! More sample selling Free samples download.
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